#554. The Joke from The Boondock Saints

Black people aren't dumb. As we have discussed, they know all about disingenuous white liberals (DWL's) and how they really view Black people.

DWL's love Black people - only as long as they don't live near them nor attend their kids schools. If they violate this code, then DWL's find it difficult o deal with Black people.

The entry on "The End of Knowing" has been a popular one here at SBPDL, as people have found it difficult to understand the movies intricate mythology and the Nordic undertones that movie portrays.

It is wrong to casually dismiss the ending and the SBPDL interpretation of the film, for DWL's would love to live in a world devoid of Black people. The only problem is that they would have no minority group to use and manipulate for power.

As we will see in a future entry, Black people do not like vigilante movies. One of those movies is the 1999 film, The Boondock Saints, a film that has gained cult status around the world:

"The Boondock Saints is a 1999 crime thriller film written and directed by Troy Duffy. The film stars Sean Patrick Flanery and Norman Reedus as Catholic Irish American fraternal twins, Conner and Murphy MacManus, who become vigilantes after killing two members of the Russian Mafia in self-defense. After a message from God, the brothers, together with their friend David Della Rocco, set out to rid their home city of Boston, Massachusetts of crime and evil; all the while being pursued by FBI Special Agent Paul Smecker (Willem Dafoe)."

The two Irish brothers are on a Holy crusade to cleanse Boston - all of their targets in the film are white, whether they be Russian, Italian or Jewish - of evil and they are accompanied by another friend who early in the film absolves Black people from being in the cross-hairs of the Saints, through a joke.

David Della Rocco plays The Funnyman, a low-level mobster who ends up being the Boondock Saint's third wheel. In the film, he is forced to tell a joke - now remember, one of the things we have established here at SBPDL is the high levels of crime that Black people have a propensity to delve into, but Hollywood (and LA Law) turn a blind eye to this reality and always make the vigilante's antagonist white guys, or mobsters - and Black people find this attempt at humor horrifying.

As stated, the joke plays upon Black people's worst fear, for it confirms the reality of their deepest darkest nightmares: that given the choice, white people would prefer to have a Coke than to living in the same country as Black people (below is the joke):

Yakavetta: I'm having a shitty day. I'm depressed. Tell me a funny joke.
Rocco: Now? A joke? Uh... um, uh... A joke. Yeah, alright. Um... There's these, uh, three guys, uh... a-a-a-a spic, a-a-a-a white guy and a black guy.
Yakavetta: Nigger.
Rocco: Yeah, n-n- Yeah. And-and they walk along the beach, they see this pot, they rub it, genie comes out. Genie says, you know, "You wish for anything you want." So, he asks, uh-uh, Mexican what-what he wants, and he goes, uh, uh, "I want, uh, all my people in America to be happy and free and in Mexico." And so, genie - Poof! And, all the spics are in Mexico. And then he asks the black guy...
Vincenzo Lipazzi: Nigger.
Rocco: Yeah, that's what I said. Goes to the, uh- uh, nigger, says, uh, "What do you want?" And he goes, um, uh, "I want all my African- my nigger brothers in America to be back in Africa and-and happy and everything." You know? So, genie goes poof! And, um, all the niggers in America are in Africa. And, uh, uh, uh, this is go- I'm not funny today. I-I know. I'm havin' a hard day. I-I-I- This joke sucks. It's-it's-it's a stupid joke.
Yakavetta: Continue the joke.
Rocco: So the genie says to the white guy, uh, um, "What's your one wish?" And the white guy goes, "You mean to tell me all the niggers and spics are out of America?" Genie goes, "Yeah." He says, "Well, um, I'll have a Coke, then."

DWL's were exposed with this joke - and it came from a movie about cleansing America of its evil inhabitants. Hispanics and Black people were excluded from being targets in The Boondock Saints, because the joke told by "The Funnyman" magically removed them from the Saint's cross-hairs ( Black people are correct; all white people love the idea of Pre-Obama America and look at the state of major US cities under Black rule as justification for their "I'll have a Coke" attitude).

Crime, academic standards being lowered and getting upset over the loss of chicken are byproducts of living under Mein Obama rule.

Stuff Black People Don't Like includes the "I'll have a Coke" joke from The Boondock Saints, because Black people know that all white people, if they found themselves in the same situation as the jokes participants, would gladly wish for a Coke from the genie as well.

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#677. The End of "Knowing"

Movies are one of Black people's favorite forms of entertainment. Films like Soul Plane and Don't Be a Menace to South Central While Drinking Your Juice in the Hood have long been some of Black people's favorite cinematic treats.

However, a recent Nicholas Cage movie left Black people wondering if Leni Riefenstahl had directed the film posthumously. The science-fiction film, Knowing, grossed more than $175 million worldwide and was a moderate success during its theatrical release in 2009, in America.

It might have been a bigger hit, had the trailers for the film been more forthcoming about the plot, as Nicholas Cage - whose hairline continues to change in each film - plays an MIT professor who uncovers a 50-year-old numerical sequence that has correctly forecast major disasters:

IMDB.com describes the plot this way:

"When John (played by Cage) was looking at the numbers, he quickly realized that it was some type of code that predicted the month, date and year of a specific disaster, and how many people died in that particular disaster. After witnessing a plane crash at Logan International Airport, and saving people from a freak New York Subway accident, John realizes that the last disaster on the code is the end of the world when one of the Sun's solar flares will scorch the Earth."

So it's another end of the world flick, and like in so many movies before it, Black people don't get a chance to save the world from solar flares. In fact, they barely are even seen in the film at all.

What makes this film so incredible and yet, so offensive to Black people - and perhaps all non-whites - is the ending of the film. For, like in Nordic mythology, the end of the world is met with fire, complete destruction and yet, a re-birth of Nordic life. A Ragnarök that seems alien to Black people.

Throughout Knowing, strange Blond hair, blue eyed people help the son of Cage's character and in the end, these angelic people turn out to be the savior of mankind, or perhaps only European-kind, as they are aliens that take two white children (one being Cage's character) to another planet. There, they avoid the destruction of earth and the film ends with the white children (one boy and one girl) running in fields of gold (perhaps the Elysium field's).

As the world is about to consumed by fire, Cage's character in the film reunites with his father, who tells him, "This isn't the end son," to which he replies, "I know."

Prior to making it to his parent's home though, he traverses through Boston and New York City, where mobs of people are looting the cities as anarchy reigns. Interesting, Beethoven's 7th Symphony Major, 2nd Movement - Allegretto in A Minor" is playing as he makes his way throughout he cities, a stark contrast to the savagery outside the windows of his car and the beauty within.

Classical music ( a future inclusion to the growing list of SBPDL) accompanying the end of the world is just to much for Black people, especially one in which angels or aliens only saved white children.

What's more is after the white children are safe from the fiery remnants of earth, they run toward a magnificent white tree. Accompanied by two white rabbits - a sign of fecundity - the white children are prepared to rebuild a world that the movie stated, unequivocally, that needed "a cleansing". That's how Knowing ends... and it was made in 2009.

Below, you can watch the last few minutes of the film, including the part of the movie that Black people found so offensive. For a world without Black people would never function properly, as entertainment would be but a mesh of whiteness.

Knowing, directed by Alex Proyas (who also directed the fantastic movies The Crow and Dark City), has been put on notice. The world in his latest film was destroyed, not even saved by Black people, but was afforded a re-birth where white children, headed toward a white tree, accompanied by white rabbits are to re-build civilization.

Stuff Black People Don't Like includes Knowing, because this film shows that angels (or aliens) would only chose white children to re-build a world, and give them a pure Nordic mythological paradise to do it in, and yet, Black people are forced to endure the destruction of earth.

In the new world to come, the aliens (or angels) of Knowing decree that Black people serve no fucntion, and leave them behind to fires of the solar flares. The film is racist, and SBPDL has yet another entry.

(NOTE: YOUTUBE has to take down this ending a lot, due to copyright, so please check out the movie yourself and come to your own conclusions)

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